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Avengers: Age of Ultron

Action . Adventure . Science Fiction . Sci-Fi

When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

Actors: Robert Downey Jr. , Chris Hemsworth , Mark Ruffalo , Chris Evans , Scarlett Johansson , Jeremy Renner , James Spader , Samuel L. Jackson , Don Cheadle , Aaron Taylor-Johnson
Directors: Joss Whedon
Country: USA
Release: 2015-05-01
More Info:
  • Peter Travers

    A whole summer of fireworks packed into one movie. It doesn't just go to 11, it starts there.

    Rolling Stone Full Review
  • Drew McWeeny

    This is a movie that is almost exhaustingly large-scale, and Ultron's ultimate plan involves a crazy visual idea that Whedon makes sort of beautiful and eerie. It's got so much action that I'm going to bet some audiences go numb after a while. But in scene after scene, there are beats and stunts and poses that suggest that an army of comic book fanatics worked on this movie.

    HitFix Full Review
  • Ben Nicholson

    With Avengers: Age of Ultron, Whedon doesn't merely hit it out of the park, he Hulk-smashes it.

    CineVue Full Review
  • Robbie Collin

    It’s the interplay between the film’s many different characters, rather than the blow-up-the-world crisis they’re trying to defuse, that keeps you on the edge of your seat.

    The Telegraph Full Review
  • Rosie Fletcher

    Part horror, part love story, part morality tale, Age Of Ultron is a smart superhero smackdown that raises the bar once more.

    Total Film Full Review
  • Peter Bradshaw

    It’s all operatically mad, and the city-destroying final confrontation is becoming a bit familiar, but Whedon carries it off with such joy and even a kind of evangelism.

    The Guardian Full Review
  • Scott Foundas

    The new movie is a sleeker, faster, funnier piece of work — the sort of sequel (like “Star Trek II: The Wrath of Khan,” “Superman II” and “Indiana Jones and the Temple of Doom” before it) that shrugs off the self-seriousness of its predecessor and fully embraces its inner Saturday-morning serial.

    Variety Full Review
  • Helen O'Hara

    Bigger and, yes, darker than the first, this is less air-punchingly gleeful but probably more consistent. Thanks to Whedon and the most charismatic, compelling cast you’ll find anywhere, Age of Ultron redefines the scale we can expect from our superhero epics but still fits human-sized emotion amid the bombast.

    Empire Full Review
  • Alonso Duralde

    It may well be that we’ll eventually stop looking at these Marvel films as discrete, individual experiences rather than chapters in an epic binge-watch, but even by those standards, Avengers: Age of Ultron feels like a solid but overstuffed episode, one more concerned with being connective tissue than anything else.

    TheWrap Full Review
  • Tim Grierson

    Whedon and his large, capable cast (even larger for this follow-up) deliver enough adventure, laughs and flat-out spectacle to ensure that audiences will feel as if they have gotten their money’s worth, especially when Ultron zeroes in on the quiet humanity beneath the special effects.

    Screen International Full Review
  • Chris Nashawaty

    Still, my real beef with these movies — and this one in particular — is how same-y they’ve started to feel. Each time out, everything is at stake and nothing is at stake.

    Entertainment Weekly Full Review
  • Rodrigo Perez

    For all its bluster, end-of-doom stakes, gravitas and super-seriousness, what Whedon’s movie does best is communicate its concern for the all the human beings touched by this story: the broken, nearly shattered heroes, their extended families and even the civilians caught in the crosshairs.

    The Playlist Full Review
  • Claudia Puig

    Director Joss Whedon knows how to make a wryly funny, action-packed extravaganza, as he proved with 2012's "The Avengers." So why did he overstuff the 2½-hour sequel?

    USA Today Full Review
  • Tom Huddleston

    Whedon has revealed that his first cut ran for well over three hours, and it shows: Ultron feels excessively nipped and tucked, barrelling from one explosive set-piece to the next, leaving ideas half-formed and character motivations murky.

    Time Out London Full Review
  • Todd McCarthy

    Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up and some of the characters are left in a kind of dramatic no-man's-land.

    The Hollywood Reporter Full Review
  • Eric Kohn

    Whereas "The Avengers" felt like a reimagining of the paradigm for superhero movies, Age of Ultron has air of a rerun. Though impressively made and visually remarkable, it suffers from the hollowness that plagues so many blockbusters carrying the sense that we've been through this before.

    indieWIRE Full Review
  • Richard Roeper

    Avengers: Age of Ultron is a sometimes daffy, occasionally baffling, surprisingly touching and even romantic adventure with one kinetic thrill after another. It earns a place of high ranking in the Marvel Universe.

    Chicago Sun-Times Full Review
  • Lawrence Toppman

    Whedon has more on his mind than he did in the last one. The Avengers seem not just contentious toward each other but weary, sick of their brutal responsibilities.

    Charlotte Observer Full Review
  • Steve Persall

    As usual, psychological anguish is a key element of Marvel heroes. Age of Ultron boasts a cast of actors that "serious" filmmakers would kill for, so the gravitas they're capable of conveying amid such outlandish fantasy is the franchise's stealth advantage.

    Tampa Bay Times Full Review
  • Lev Grossman

    If anything, Whedon’s writing is almost too sharp. The characters are so finely drawn and verbally quick (they name-check Banksy and Eugene O’Neill) that they seem to belong to a different universe than the cartoonish one they find themselves in.

    Time Full Review
  • Keith Phipps

    Whedon’s handling of the personal material is what makes Age Of Ultron extraordinary. Remarkably for a film so overstuffed, no character gets neglected.

    The Dissolve Full Review
  • Joe Neumaier

    Avengers: Age of Ultron is a kinetic, wicked mix of muscle and magic. Look no further if you want a world of superpowered freaks and geeks. But be aware: It comes at a cost. Vaporized in the parade of action and characters is the wonder and simplicity of its first, superior entry.

    New York Daily News Full Review
  • William Goss

    It is the product of a machine perfectly evolved for the sole purpose of annihilating boredom, a machine whose primary weakness is the utter indifference of those uninitiated or unimpressed by this point. For the rest of us, it’s a hearty helping of fine.

    Austin Chronicle Full Review
  • Marc Mohan

    As I sat slavishly (and needlessly) through the entire end credit roll, it was hard to muster anything more fervent than "Yeah, it was pretty good." Even a clean, white hate would have somehow been more satisfying.

    Portland Oregonian Full Review
  • Joe Williams

    Age of Ultron has self-aware laughs, grandiose themes and the best effects that money can buy. But at this point, it will take true vision to plot the umpteen sequels without getting trapped in a time loop.

    St. Louis Post-Dispatch Full Review
  • Rene Rodriguez

    Whedon knows this is all nonsense, but it can be great fun, too. Age of Ultron is all rush and sensation with little substance. But what a feeling.

    Miami Herald Full Review
  • Matt Zoller Seitz

    In its lumpy-porridge way, this film makes a better case than any other Marvel picture for the notion that quarter-billion-dollar-budgeted, CGI-festooned slabs of multimedia synergy can be art, too, provided they're made by an artist with a vision, and said artist appears to be in control of at least part of the production. Full Review
  • Bill Goodykoontz

    There is much to like about Avengers: Age of Ultron. There was much to love about "The Avengers," and therein lies the difference.

    Arizona Republic Full Review
  • Andrew O'Hehir

    I enjoyed Age of Ultron more than its predecessor, despite the fact that it’s almost exactly the same thing. This was probably a result of adjusting my expectations: I wasn’t sitting there waiting for Whedon to revolutionize the genre, or to turn an overdetermined comic-book movie into a Noel Coward comedy. He delivers a clean and capable entertainment, with a handful of distinctive flourishes stuck to the margins. Full Review
  • Peter Rainer

    The action sequences aren’t especially well designed, and the plot, such as it is, is essentially one catastrophe after another.

    Christian Science Monitor Full Review
  • A.A. Dowd

    There’s so much ground to cover here—so many introductions to make, so much story to churn through, so many gargantuan set pieces to mount—that the movie never really finds room to breathe.

    The A.V. Club Full Review
  • Steven Rea

    The thing's a behemoth. And as the franchise thunders on, it's also becoming more and more a bore.

    Philadelphia Inquirer Full Review
  • Ann Hornaday

    As he did in the first “Avengers,” writer-director Joss Whedon avoids the fatal trap of comic-book ­self-seriousness, leavening a baggy, busy, overpopulated story with zippy one-liners, quippy asides and an overarching tone of jaunty good fun.

    Washington Post Full Review
  • James Berardinelli

    Age of Ultron disappoints not because it's irredeemably bad but because it fails to achieve the level of its predecessor in nearly every facet.

    ReelViews Full Review
  • Ty Burr

    Ultron’s goals never make much sense beyond the basic kill-the-Avengers-and-destroy-the-Earth checklist, nor does he develop as a character over the long haul. He’s just a static baddie, fun to look at and handy with a quip but ultimately as dull as unpolished chrome.

    Boston Globe Full Review
  • Michael Phillips

    Entertaining as much of Avengers 2 is, especially when it's just hanging out with the gang in between scuffles (the "Guardians of the Galaxy" lesson, learned), Whedon’s picture meets expectations without exceeding them.

    Chicago Tribune Full Review
  • Liam Lacey

    Whedon can’t quite work the same miracle twice. Age of Ultron also bears the familiar stretch marks characteristic of middle movies in franchise series.

    The Globe and Mail (Toronto) Full Review
  • Roger Moore

    The thrill of the new, the delight in discovering how light on their feet and how trippingly the Whedon one-liners can fall off the tongue, is fading. A bloated blockbuster movie-as-commodity like Age of Ultron doesn’t herald the end of this franchise or genre. But you can see it from here.

    Tribune News Service Full Review
  • Ed Gonzalez

    The film struggles against the rigid formula that typifies the Marvel universe, but only does so up to a point.

    Slant Magazine Full Review
  • David Edelstein

    Though a mess by all conventional narrative standards, Avengers: Age of Ultron is a fascinating case study in the rules of “universe” storytelling. Chief among them is that a film may not be self-contained — it must constantly allude to worlds outside its own. Marvel fans want extra characters, extra subplots, in-jokes that pander to their supposed breadth of knowledge. They don’t want closure.

    New York Magazine (Vulture) Full Review
  • Manohla Dargis

    For a Marvel agnostic like me, the single most interesting thing about Age of Ultron is that you can sense that Mr. Whedon, having helped build a universal earnings machine with the first “Avengers,” has now struggled mightily, touchingly, to invest this behemoth with some life.

    The New York Times Full Review
  • Kenneth Turan

    The uncomfortable reality remains that although this movie is effective moment to moment, very little of it lingers in the mind afterward. The ideal vehicle for our age of immediate sensation and instant gratification, it disappears without a trace almost as soon as it's consumed.

    Los Angeles Times Full Review
  • Mike Scott

    Age of Ultron -- for all the eye candy and mindless entertainment it has to offer -- stays safely within the franchise's established parameters. Here, there are no real surprises.

    New Orleans Times-Picayune Full Review
  • Dana Stevens

    Age of Ultron, then, shows what happens when an unstoppable force (Joss Whedon’s imagination) meets an immovable object (the Disney/Marvel behemoth). And the result is, indeed, paradoxical: a crashy, overlong, FX-driven blockbuster that’s capable of morphing, Hulk-to-Banner style, into a loose-limbed ensemble comedy about collaboration, flirtation, and friendship.

    Slate Full Review
  • Amy Nicholson

    [Whedon] wants to give us everything, and that he fits it all in is its own kind of feat. Age of Ultron is a middling film, yet it's so heavy with his sweat that it never feels like a lazy cash-in — which for a preordained summer megahit is an accomplishment.

    Village Voice Full Review
  • Kyle Smith

    Whedon keeps approaching ideas, but every time he does so he leaves a flaming bag of dog poop on the doorstep, rings the bell and runs away tittering.

    New York Post Full Review
  • Anthony Lane

    First, you try to understand what the hell is going on. Then you slowly realize that you will never understand what is going on. And, last, you wind up with the distinct impression that, if there was anything to understand, it wasn’t worth the sweat.

    The New Yorker Full Review
  • Mick LaSalle

    Supercharged and lifeless, frenetic and stone-cold dead, a barrage of action scenes that look fake, yet make you wonder if fake is the new real.

    San Francisco Chronicle Full Review
  • John Anderson

    For those more concerned with what “The Avengers” movies do best — outsize spectacle and wry comedy — Age of Ultron has to be declared a victory.

    Wall Street Journal Full Review
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  • 31. Norma, Act I: 'Casta Diva' Performer: Maria Callas, Coro del Teatro alla Scala, Milano, Orchestra del Teatro alla Scala, Milano, Tullio Serafin Stream Music Online
  • 36. Berliner Messe: 1. Kyrie Performer: the Eesti Filharmoonia Kammerkoor (as Estonian Philharmonic Chamber Choir) and the Tallinn Chamber Orchestra Stream Music Online
  • 37. Full Dress Hop Performer: Gene Krupa and His Orchestra (as Gene Krupa & His Orchestra) Stream Music Online

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